Expat Choice | Celebrate Romance and Comedy With SRT's Shakespeare in the Park

Singapore Repertory Theatre’s Shakespeare in the Park is finally back, with the bard’s most popular comedy - A Midsummer Night’s Dream. Audiences can once again look forward to rolling out their picnic blankets and sumptuous spreads under the night sky in Fort Canning Park to enjoy this romantic comedy filled with mischief and magic.

Award-winning director Guy Unsworth (Hand to God, Julius Caesar) says, “After getting past the worst of Covid, I feel society is in a very different place and this calls for something different on stage. I feel a stronger need to celebrate the true themes of the play - love, togetherness, and fun. We need this more than before, we appreciate it more than before, to create something which would celebrate the very thing it is: a piece of live entertainment which brings people together and celebrates love and life.”

Dates: 3 to 28 May 2023 (Tuesdays to Sundays only)

Prices: From $50 (group concessions available)

Time: 7.30pm

Get Tickets Here.

Synopsis

“The course of true love never did run smooth.” – Lysander

Enjoy your picnic under the night sky as the industrial city of Athenia transforms into an enchanted dreamworld of moonlit water and fairyland mayhem.

The Fairy King and Queen are at war, four young lovers have eloped to the forest, and a group of tradesmen are rehearsing a play. But it is Midsummer Night and Puck, as chief mischief-maker, is pulling pranks to ensure that the course of true love is anything but smooth. Puck’s magic spells cause the lovers to change their allegiance, and one of the tradesmen, Nick Bottom, undergoes a shocking transformation.

Can the magic of fairyland be reversed before sunrise or will Athenia be turned upside down forever?

Starring Julie Wee (The Merchant of Venice, Julius Caesar), Ghafir Akbar (Guards at the Taj, Julius Caesar), Daniel Jenkins (Romeo & Juliet, Julius Caesar), and Krish Natarajan (The Sound Inside).

Gaurav Kripalani, Artistic Director of SRT, says, “How often can you come in shorts and t-shirts, lay back on the grass and enjoy one of the greatest pieces of literature brought to life? This is a truly unique opportunity not to be missed.”

“We stay true to the text but set the production in a contemporary setting in order to make the show relatable to audiences today. The fact that a play can still remain relevant 450 years later is a testament to the genius of Shakespeare.”

a. River Valley Rd, Singapore 179037 | Fort Canning Park

e. [email protected]

w. www.srt.com.sg/production/amidsummersnightdream

s. www.facebook.com/singaporerepertorytheatre

t. +65 6733 8166

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Ken

08 May 2023 , Mon

8 comments

CONTRIBUTOR

RATED 7.5 / 8

“The play’s the thing/Wherein I’ll catch the conscience of the King.” (From Shakespeare’s “Hamlet” 1600.) As you might think only Shakespeare can do - when he tests and twists love triangles with other life’s challenges - the Singapore Repertory Theatre (SRT) continues to produce outstanding performances, making the Singapore’s Fort Canning a global scene-stealer.

Its Shakespeare in the Park showing of “A Midsummer Night’s Dream,” shares the same prominent theatrical staging platform as Broadway and the West End. “All the world’s a stage,” after all. And Singapore measures up with its world class acting and staging.

It was exceptionally good timing for the “Dream” opening night (on Friday 5 April 2023) as the SRT traditional Park performance was right on the eve of the Coronation of King Charles III in Westminster Abbey (2023). Both productions – in Singapore and London - were brilliant and bold in every way.

On the Fort Canning stage, there was no sign of the trees or greenery which figure prominently in the Bard’s original script. Instead, the audience on the grass of Fort Canning is confronted by a complex set of chimneys, resembling Jurong Island, and named as “Athenia,” an oil company, so much more distinctly different from the forest of Athens envisioned by Shakespeare more than 500 years ago.

What started as a spectacular distraction - the tall towers of well-lit smoking stacks – soon showed up as a magical blend into the fixed skyline of city towers. Not “a distracted fear” for the players either, who superbly portrayed the essence of the play and its performance. The play’s the thing after-all!

Bold decision-making by SRT’s Artistic Director Gaurav Kripalani – who has produced or overseen all “Shakespeare in the Park” performances over its 30-year-history – to convey some very contemporary themes for a play which is timeless in so many other ways.

Brilliant – and bold too – was the staging and direction by Guy Unsworth, who draws attention in the programme notes to the fact that in Shakespeare’s day there was a growing concern for the future of the natural world. Even then, deforestation was rearing its ugly head, with trees cut from the forest to build boats, historically helping Greece to position itself as a global shipping leader.

So, while there was plenty to amuse and enthral in the ageless appeal of imagined forests and fairies, it was the lovers’ diverse affections – denied and deceived in the Bard’s cunning plots and sub-plots – which altogether produced an evening of pure and enchanting entertainment. Besides the lighting and staging, which came close to stealing the show - and all credit to Gabriel Chan, the inspired lighting designer - we cannot ignore the stars on stage.

For performing the classic Shakesperean role of Nick Bottom, Daniel Jenkins (pictured above) was “a constant act,” brilliant in voice and actions – including his artful manoeuvring through the audience on the grass – in what was his 9th play in the Park for SRT. “Ladies of the night” were prominent too.

Notably Julie Wee – who trained at Victoria College of the Arts (VCA) Drama School in Melbourne – in an engaging double act as “Hippolyta” and “Titania,” in her sixth showing in a Shakespeare in the Park play. She was matched by two other stage stars: the very seductive Natalie Yeap as “Hermia” and her stage companion, Vanessa Lee as “Helena,” who continued to toy and tangle with the affections of friends and lovers.

All in line – along with the rest of the cast – with Shakespeare traditional role-play when he tests and twists love triangles with other life’s challenges. The Singapore Repertory Theatre (SRT) does this so well, adapting, but retaining, at the same time, the essential ingredients of a Shakespeare classic.

An outstanding performance, as expected of SRT. In my mind, this puts Singapore’s Fort Canning in the global scene-stealing category as what you will see on Broadway and the West End. And if that’ s not enough, there is another Royal connection for SRT to cash in on.

With the real Coronation Act taking place in Westminster Abbey, not far from London’s West End, the play’s Director Guy Unsworth is remembered as the Producer of the now King Charles 70th birthday celebrations at Buckingham Palace in 2018 and was associate director for the late Queen’s 90th birthday at Windsor Castle in 2016. A Royal Appointment no less!

Shakespeare in the Park continues until 28 May 2023 (Tuesdays to Sundays only)